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Swedish films are difficult to find here in the US and totally rare with the exception of Ingmar Bergman films.  Although we do enjoy Bergman we would like to learn of new films and find ways for us to view them.  Even the best reviewed new films including those with Oscar nominations rarely become available on DVD for US audiences .  http://www.skandimport.com/

from the Local.se

It’s notoriously difficult for European filmmakers to make it big in the US, particularly with non-English language films. But now Sweden’s filmmakers are echoing the successes of its authors and actors in winning over American audiences, writes Lee Martin.

 Lagom. This favourite word of Swedes, which means ‘just enough’, sums up Swedes’ love of moderation. It could have been coined to explain Swedish films’ astonishing recent international success.

The Millennium trilogy, Snabba Cash, the Wallander series and the vampire movie "Låt den rätte komma in" are leading the Swedish film industry’s latest charge into international markets, in the most successful period for Swedish film since the height of Ingmar Bergman’s career. What they offer for North American audiences is a world that’s not too exotic, but just exotic enough.

An English-language remake of the first movie in the Millenium series is currently being planned. Author Stieg Larsson’s Millennium trilogy centers round a journalist, Mikael Blomkvist, and computer hacker Lisbeth Salander. In the first book, the duo work together in finding a missing woman and stumble upon a serial killer during their search.

The books have become the biggest publishing phenomenon in the US since Harry Potter, and filmmakers hope the movies will have a similar impact.

The Swedish production company behind the Millennium trilogy movies, Yellow Bird, is also behind the Wallander series, another hit novel series originally filmed for Swedish TV and later turned into a BBC production starring Kenneth Branagh. Like the Millennium series, Henning Mankell’s Wallander books depict a dark world of crime and social alienation lurking under the serene surface of Swedish society.

But why has Swedish film become so successful?

Pia Lundberg, head of the foreign department at the Swedish Film Institute, tells The Local that success has bred success for Swedish film:

“We have seen an increase in interest for Swedish movies, producers, directors and actors. We have had some successful films in the US, which has made it easier for the US market to get involved with more Swedish movies,” says Lundberg.

Swedish actors such as Alexander Skarsgård have certainly helped raise the profile of the country’s film industry:

“I think the Swedish film industry is more aware that there is a global market for their movies and therefore works more towards an international audience,” she says.

The first part of the Millenium trilogy, The Girl with the Dragon Tattoo, has so far grossed over $6 million in the US alone, despite being in Swedish. The language and the fact that the settings of the movies are unfamiliar to US audiences appeared not to do any harm.

Strong movies such as the Millenium trilogy have paved the way for other movies and have resulted in a higher interest in everything Swedish in the film world.

The latest example is the Swedish movie “Låt den rätte komma in”, about the friendship between a young boy, Oskar, and his vampire neighbor, Eli, which has been remade as Let the Right One In with Matt Reeves as the director. Filming and post-production are completed, and the movie is waiting for it’s premier date. The English version of the movie will most likely be shown in Sweden as well, says Lundberg.

Movies such as Let the Right One In and the Millenium trilogy have succeeded by offering really original plotlines, Lundberg argues:

“Another reason Sweden might appeal to a US audience is that Sweden is just exotic enough. There is enough there for the audience to relate to, but it is still outside the US,” she says.

Another movie likely to be remade is Snabba Cash, based on the novel of the same name by Jens Lapidus. The book tells the story of three characters who join forces to sell the drugs to earn some quick money. The main protagonist is interested in funding his extravagant lifestyle and club hopping in Stockholm’s Stureplan district. The English version of the movie will most likely be transferred to a US setting, and Zac Efron is being spoken of as the leading man, JW. The Swedish movie will be released in the US sometime at the beginning of next year, at the same time as the book.

“The main reason for showing the Swedish movie first is because they think it’s a good movie and will draw a crowd. It’s as simple as that,” Fredrik Wikström, producer of the original Snabba Cash at Tre Vänner Production Company, tells The Local.

The rights to remake Snabba Cash were sold to Warner Brothers at an auction in April. While there is no guarantee that the US version will ever see the light of day, the film should be easy to transfer to an American setting, says Wikström, and he thinks the US audience will be able to relate to it.

What he has no doubt about is the general level of interest for Swedish film in Hollywood:

“They certainly have their eyes on Sweden, It wouldn’t surprise me if more movies from Sweden are remade into English versions.”

Whether the English-language versions retain their Swedish settings is another matter. The Millennium films could well be made in Stockholm due to the integral part the books’ Swedish setting plays in the plotline. Other remakes are more likely to be set elsewhere:

“If there is something exotic in the setting of the book, then I think they might keep the original Swedish setting for the adaptations but not otherwise,” he says.

But the key ingredient enabling Swedish movies to attract a US audience is that they are well-written thrillers, Wikström believes. The current movies being adapted do not show a representative picture of Sweden but rather a small, dark part of Sweden.

“It is the excitement and suspense the US crowd want, and that is what appeals to them about these movies,” says Wikström.

The continued success of Swedish novels and Swedish Hollywood actors means Sweden’s film industry’s run of luck in Hollywood could continue for some time to come.

Note: we initially stated that 'The Girl with the Dragon Tattoo' had grossed over $90 million in the US. The figure is in fact $6 million. The article has now been corrected.

28.05.2010

Short, medium and long feature films from Denmark, Finland and Sweden were praised and prized at the Cannes Film Festival that closed last Sunday evening with a surprise Golden Palm to the Thai film Uncle Boonmee Who Can Recall His Past Lives.

The Palme d'or to the mystical film by Apichatpong Weerasethakul was an audacious choice for the Cannes jury led by Tim Burton who admitted that "each and every one of his jury members had some favourites that didn't make it." If France left with a heavy load of major awards including Best Director (Mathieu Amalric for On Tour and Grand Prix (Xavier Beauvois' Of Gods and Men), Sweden made an appearance on the list of official awards with Frida Kempff's short film Bathing Micky (Micky badar), winner of a Jury Prize. This was the first time since 1953 that a Swedish short film was awarded in Cannes' main competition.

Sweden had another major success in Cannes with Sound of Noise, (photo) the directorial debut of Ola Simonsson and Johannes Stjarne Nilsson that was welcomed by cheers and laughter at the Critics Week screenings. The French/Swedish/Danish co-production supported by Nordisk Film & TV Fond won two awards in the sidebar: the Young Critics Awards and the "rail d'Or". Swedish audiences will have to wait until October to swing to the beat of the six drummers from the film.

Sweden (through Auto Images and the Swedish Film Institute) also had a share in the Danish documentary film Armadillo, winner of the Critics Week Grand Prix. The Fridthjof Film production opens wide today in Denmark on over 50 screens. The Danish short film Berik by Daniel Joseph Borgman, produced by Zentropa won the Grand Prix Canal + at the Critics Week, and Finland, - represented at Cannes' Cinéfondation - left with the student competition programme's top award worth €15,000 for Painting Sellers by Juho Kuosmanen.

and their works can be found at the

following link:

http://www.swedishfilmproducers.com/eng/news

To Keep you up to date on all that is new in Swedish

 film go to: http://www.sfi.se/